Odds Against Us

Since then, these parameters have continued to shape Martyns unified approach to drum ‘n’ bass, gqom, post-dubstep and rhythmic offshoots. On Odds Against Us, the producer projects the common denominator as a spirit of sampling innovated by drum ‘n’ bass, but which operates independent of BPM, as shown by the title tracks floating, Havoc-like piano riff over minimal, mutant UKG and a snarling, amorphous bassline. From there, B.C. 2 drives full-on at 170 Detroit deepness through a London lens; emotion meets sci-fi. EP closer Rhythm Ritual delivers on the titles promise, with layers of interlocking drums, melody and chopped vocals that is at once whole and broken down into component parts.

While Odds Against Us sees Martyn revisiting his musical beginnings, the sound and emotion once again emerge from a holistic perspective to rhythm and dance music.